Over the last two weeks I’ve been doing some exploring with my crochet work. With Spring soon coming, I know that bundling up is going to be less of a priority and I need to adapt to that seasonal change. ** Hard to believe but it won’t be this cold for much longer (fingers crossed).
Scarves as accessories are something which interest me because as someone who loves the look of chunky yarn crochet, I’d like to wear my creations well into the Spring without the threat of overheating.
I loved the colour combination of rusty red, orange, green and creams throughout this unevenly spun and felted yarn. It was a total pleasure to work with and I so regret not purchasing more when I had the chance.
The idea for this accessory scarf was to play with the organic quality of the yarn as well as use it’s informal patchwork of colouring in a free-form crochet fashion. This allowed me to also experiment with the interplay between random increases and decreases throughout the length of this scarf. The “wibbly wobbly” quality of this long (like really long – 124 inches) scarf is very bohemian and carefree. At it’s widest, the scarf is about 2 inches and about 1 inch at it’s narrowest. The addition of mismatched crocheted flowers adds to its boho charm.
I now need to find this style of yarn in a cotton blend which would also do well in the Summer time. Accessory scarves are worth exploring and I will do so in the coming weeks.
An exploration in intuitive painting, texture, collage and various media have led me to this recent piece.
The contrasting textures I achieved in the base layer were created by working with molding paste then adding multiple layers of acrylic paint colours. The handmade paper collage sits well on top of this highly textured background.
The use of marker (black and coloured) as well as white pen allows the flower and vase to rise to the surface. I also love the delicate shake-y illustrative quality of the white outline.
More exploration in this style is the plan. Thanks for reading this.
This jumbo chunky cowl is for my lovely gem of a client! I cannot wait to get it to her later this week.
It’s made with the puff stitch using Lion Brand Thick & Quick yarn in the Eggplant colorway and it’s all done with my very favourite new 15mm hook from Clover. I decided to tassel-join the ends rather than seam them. It makes it as unique as the client jumbo cowl it’s for.
Want to customise a cowl of your very own too? Drop me a line here. Let’s see what we can come up with together!
I have fallen in total love with modern quilting – there I wrote it. Prior to this and to my own embarrassment, I was a quilt snob. I certainly appreciated their place in fabric and textile history but in no way did I consider this traditional form of craft in my design or aesthetic vocabulary.
After all, I am a lover of colourful graphic patterns and scandinavian design. I love Marimekko’s bold flowers and simple lines. I drool at thought of Charles and Ray Eames’ body of work. I have watched Helvetica and Objectify many more times than I care to admit. I am fascinated by architecture, specifically Brutalist Architecture! There was no way that quilting fit within all that. I mean, right?
A few months back, I was an avid tech podcast listener and had been since 2002, but I was looking for something new. I was simply burned out on technology.
Something more… me
I am in my late forties, I am at the stage in my life where I need something that will re-ignite and inspire me to get back on the right path. I want to rejuvenate the next part of my own creative journey.
One day on my commute to work, I simply searched for two keywords: creative and podcast, and there it appeared. I listened to my first Crafty Planner Podcast on Google Play Music and was instantly hooked and the rest, as they say, is history. I would literally never be the same again.
Through Sandi Hazelwood’s Crafty Planner Podcasts, I have been introduced to quilters / makers / artists like Jacquie Gering, Heather Jones, Frank Palmer, Libs Elliott, Karen McTavish; fabric designers like Tula Pink, Heather Ross, Amy Butler and finally, sewists / designers like Cal Patch and Annabel Wrigley and much much more.
The world of modern quilting was totally new to me and I loved it. It awakened the sleeping artist inside of me. As a research maniac, I could not get enough of the images and creative vision I was seeing. The endless possibilities that this medium can open is mind-blowing. I can now see how architecture could be interpreted through modern quilting and textile art. There you have it, I have finally found a way to combine my love of architecture, graphic design, fine art, textile art, fibre arts, bold colours, line art, simple patterns, negative space exploration and conceptual art.
Over the last 3-4 months, I have listened with enormous focus and intent and I have laughed and openly wept at my many “ah ha” moments while listening to Sandi’s sensitive, honest and intelligent conversation-style interviews.
The other important reason I am writing this post today is because I’d like to thank Sandi. I’d like to let her know, that she has played a huge part in my soul search and my ultimate reconnection.
As a graphic designer, I have had many opportunities to create but in the end, I have realised that my style of “creation” is definitely more hands-on. Creating texture will now be my focus.
It’s been a turbulent but enlightening couple of months for me personally, professionally and creatively and I now find myself with the time to develop my thoughts and my art.
I am promising myself a long and thoughtful meander along a largely unknown path filled with new hope and energy. Let’s see where it leads.
I created this over the summer and well, it’s not half bad. I am certainly not a knitting expert. This was my first attempt at a wall hanging and I’d call it a success. I used different needle gauges and the effect is what I wanted. On to the next project!