Today I decided to experiment with my paints and wanted to see how the high pigment but matte quality of gouache and the equally unique pigments in my metallic paints would play against each other.
I really like the result. I used a high quality archival Touch marker to outline my forms.
I feel as though I may have been channeling Klimt.
An exploration in intuitive painting, texture, collage and various media have led me to this recent piece.
The contrasting textures I achieved in the base layer were created by working with molding paste then adding multiple layers of acrylic paint colours. The handmade paper collage sits well on top of this highly textured background.
The use of marker (black and coloured) as well as white pen allows the flower and vase to rise to the surface. I also love the delicate shake-y illustrative quality of the white outline.
More exploration in this style is the plan. Thanks for reading this.
This is a piece I completed this week. I used metallic acrylic paints and I accentuated the colour blocks with ink linework.
I did not use a canvas but rather a sheet from a mixed-media paper block from Papier Canal Papers (a machine-made paper company located in Montreal) which I purchased from DeSerres a few weeks ago.
The unusual format of the paper block was what I was attracted to first and then to its one rough edge. It’s unframed right now but that could change over the next few weeks.
On December 29, it was my birthday and I received this wonderful painting as a gift.
Obviously George Vine is very talented and I am a very lucky girl!
George paints Canadian landscapes, birds, Canadian brewery buildings, etc.
If you want to see more of paintings visit his site here.
Or comment here and I’ll see if I can set up a private showing if you are interested in buying one of his one-of-a-kinds.